The project presents a language of physical interface actions derived from classical symbols of the spinning wheel, turning of the prayer wheels, touching symbolic pillars, the act of hands touching sacred objects, collaboratively constructed quilts, sacred chanting in the  collective group, the satsanga, and the touching  and rotating of prayer beads.

These tradition based interactions inspire a rich panorama of tactile interfaces that allow people to access the multimedia imagery and multidimensional mind of Gandhiji. The technology developed does not ‘merely scan’ Gandhian images. It extrapolates Gandhian ideals to newer domains of product design and, at higher levels, the creation of meaning in a globalized world. For example, the Gandhian commitment to hand-based production and its symbiotic relationship with nature is interpreted in the context of
modern culture-conscious design. Here lies the reaffirmation of the Gandhian view, a commitment to the dignity of labour, the bridging of divides, and the leveraging of village creativity and cultural diversity in the face of homogenization.